Toutes peintures ā l'huile d'Pietro da Cortona


ID Image Painting(From A to Z)    Details 
40444  
Pietro da Cortona, Allegory of Divine Providence and Barberini Power
 
 Allegory of Divine Providence and Barberini Power   mk156 1633-39 Fresco
94841  
Pietro da Cortona, Allegory of Divine Providence and Barberini Power
 
 Allegory of Divine Providence and Barberini Power   Pietro da Cortona Year c. 1633-1639 cyf
23447  
Pietro da Cortona, Giorification of the Rule of Urban Vii (nn03)
 
 Giorification of the Rule of Urban Vii (nn03)   1633-9 Fresco Palazzo Barberini Rome
1545  
Pietro da Cortona, Glorification of the Rule of Urban VIII
 
 Glorification of the Rule of Urban VIII  
32466  
Pietro da Cortona, Holy Family Resting on the Flight to Egypt
 
 Holy Family Resting on the Flight to Egypt   c. 1643 Oil on copper, 48 x 39 cm
33584  
Pietro da Cortona, Holy Family Resting on the Flight to Egypt
 
 Holy Family Resting on the Flight to Egypt   mk86 c.1643 Oil on copper 48x39cm
21538  
Pietro da Cortona, Holy Family Resting on thte Flight to Egypt (mk08)
 
 Holy Family Resting on thte Flight to Egypt (mk08)   c.1643 Oil on copper, 48x39cm Munich,Bayerische Staas-gemaldesammlungen, Alte Pinakothek
31007  
Pietro da Cortona, La Nativite de la Vierge
 
 La Nativite de la Vierge   mk70 Toile H.1.68 L.1.19 Paris,Musee du Louvre
51230  
Pietro da Cortona, Landing of the Trojans at the Mouth of Tiberis
 
 Landing of the Trojans at the Mouth of Tiberis   1651-54 Fresco Palazzo Pamphili
63824  
Pietro da Cortona, Madonna and Saints
 
 Madonna and Saints   1626-28 Oil on canvas, 280 x 170 cm Museo dell'Accademia Etrusca, Cortona Pietro da Cortona's oeuvre contains splendid examples of rich altarpieces which are a triumph of his proud and exultant style. Some also provide memorable examples of Baroque taste. This painting was commissioned by the Passerini family for the church of S. Agostino in the painter's home town. In a civilized fashion, it trumpets the fact that some of the Passerini family were members of chivalrous orders. So we see the Knights of St Stephen (notice the cross on the cope of the pope, St Stephen), the Knights of Malta (represented by the figure of John the Baptist and the cloak in the centre) and the Order of Calatrava (St James the Great can be seen behind John the Baptist). Even in this quiet scene, there is an air of great energy and vigour, almost as if the saints were about to burst into song. The colours are also marvelously fresh and vivid.Artist:PIETRO DA CORTONA Title: Madonna and Saints Painted in 1601-1650 , Italian - - painting : religious
51234  
Pietro da Cortona, Marcello Sacchetti
 
 Marcello Sacchetti   c. 1626 Oil on canvas
1547  
Pietro da Cortona, Nativity of the Virgin
 
 Nativity of the Virgin   Musee du Louvre, Paris
20460  
Pietro da Cortona, Nativity of the Virgin (mk05)
 
 Nativity of the Virgin (mk05)   Canvas,66 1/4 x 47''(168 x 119 cm).Acquired from Eberhard Jabach in 1662 for the collection of Louis
32536  
Pietro da Cortona, Ratto delle Sabine
 
 Ratto delle Sabine   mk79 1627-1628 Rome
1556  
Pietro da Cortona, Romulas and Remus Brought Back by Faustulus
 
 Romulas and Remus Brought Back by Faustulus   Musee du Louvre, Paris
20461  
Pietro da Cortona, Romulus and Remus Brought Back by Faustulus (mk05)
 
 Romulus and Remus Brought Back by Faustulus (mk05)   Canvas,99 x 104 1/4''(251 x 165 cm)Commissioned ca.1643 by Louis Phelipeaux,Marquis de la Vrilliere,Secretary of State under Louis XIII and Louis XIV,together with works by Guercino,Reni,Turchi,and Poussin;seized in the Revolution from the collection of the DUc de Penthievre,Paris.INV
51233  
Pietro da Cortona, Romulus and Remus Given Shelter by Faustulus
 
 Romulus and Remus Given Shelter by Faustulus   c. 1643 Oil on canvas, 251 x 266 c
29994  
Pietro da Cortona, St.Martina Refusing to Worship Idols
 
 St.Martina Refusing to Worship Idols   mk67 Oil on canvas 39 3/8x30 11/16in Pitti,Palatine Gallery
96100  
Pietro da Cortona, The Alliance of Jacob and Laban
 
 The Alliance of Jacob and Laban   between 1630(1630) and 1635(1635) Medium oil on canvas cyf
43580  
Pietro da Cortona, The Golden Age
 
 The Golden Age   1641-46
58462  
Pietro da Cortona, The Golden Age by Pietro da Cortona.
 
 The Golden Age by Pietro da Cortona.   The Golden Age by Pietro da Cortona.
51231  
Pietro da Cortona, The Guardian Angel
 
 The Guardian Angel   1656 Oil on canvas, 225 x 143 cm
28653  
Pietro da Cortona, The Nativity and the Adoration of the Shepherds
 
 The Nativity and the Adoration of the Shepherds   mk61 before1656 Oil on canvas 51x40cm
95767  
Pietro da Cortona, The Rape of the Sabine Women
 
 The Rape of the Sabine Women   oil on canvas Dimensions Height: 280.5 cm (110.4 in). Width: 426 cm (167.7 in). cyf
39627  
Pietro da Cortona, The return of Hagar
 
 The return of Hagar   mk150 c.1637 Canvas 123.5x99cm
82143  
Pietro da Cortona, The Samian Sibyl
 
 The Samian Sibyl   Date 17th century? Medium Oil on canvas Dimensions 104.2 x 78.8 cm cyf
52200  
Pietro da Cortona, The Stoning of St Stephen
 
 The Stoning of St Stephen   c. 1660 Oil on canvas, 260,5 x 149 cm
1559  
Pietro da Cortona, The Stoning of St.Stephen 02
 
 The Stoning of St.Stephen 02   1660 The Hermitage, St.Petersburg
20459  
Pietro da Cortona, Venus as a Huntress Appears to Aeneas (mk05)
 
 Venus as a Huntress Appears to Aeneas (mk05)   Canvas,50 x 69 1/4''(127 x 176 cm).Perhaps painted in collaboration with Romanelli.Early collection
51200  
Pietro da Cortona, Venus as Huntress Appears to Aeneas
 
 Venus as Huntress Appears to Aeneas   Oil on canvas
95768  
Pietro da Cortona, Virgin and Child with Saints
 
 Virgin and Child with Saints   first half of 17th century Medium oil on canvas cyf

Pietro da Cortona
1596-1669 Italian Pietro da Cortona Galleries Italian painter, draughtsman and architect. He was, together with Gianlorenzo Bernini and Franceso Borromini, one of the three leading artists of the Roman Baroque. As a painter he developed the early Baroque style, initiated by Annibale Carracci, to a magnificent and imposing High Baroque. His fresco decorations set a standard for European Baroque painting until they were eclipsed by Giambattista Tiepolo's works and those of other Venetian masters of the 18th century. As an architect Cortona was far less influential. His imaginative designs for fa?ades and stucco decorations were, however, conclusive and independent solutions to problems central to Roman Baroque architecture.



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